• See to see—

On Kimberly Alidio’s : once teeth bones coral :

Alisha Mascarenhas

May 20, 2021

• See to see—

Wielding language like a paintbrush: On Larissa Lai’s Iron Goddess of Mercy

Margaryta Golovchenko

May 5, 2021

• See to see—

On Karen Zalamea’s They are lost as soon as they are made

Katie Belcher

April 8, 2021

• See to see—

On Sun Yung Shin’s granted to a foreign citizen

Steffanie Ling

March 11, 2021

• See to see—

Listen: On Natasha Ramoutar’s Bittersweet, jaye simpson’s it was never going to be okay, and Lily Wang’s Saturn Peach

Sanna Wani

March 10, 2021

• Long-Form
• See to see—

All work is bad: On Cassandra Troyan’s Freedom & Prostitution

Danielle LaFrance

March 10, 2021

• See to see—

A Humble Hum of Modern Equivalences: On the Work of Liz Magor and Elizabeth McIntosh

Fabiola Carranza

March 1, 2021

• See to see—

Superbloom: On Emily Skov-Nielsen’s The Knowing Animals

Manahil Bandukwala

February 3, 2021

• See to see—

On Jeanne Randolph’s My Claustrophobic Happiness

Marisa Grizenko

February 3, 2021

• See to see—

The Loveliest Blend of Sound: On Eli Tareq El Bechelany-Lynch’s knot body

Cason Sharpe

January 6, 2021

• See to see—

On Ian Williams’s Word Problems

Abiola Regan

December 1, 2020

• Long-Form
• See to see—

I am Baudelaire : On Lisa Robertson’s The Baudelaire Fractal

Ted Byrne

November 30, 2020