• See to see—

On Anna Moschovakis’s Participation

Marisa Grizenko

January 4, 2023

• See to see—

On Gail Scott’s Permanent Revolution: Essays, with a foreword by Zoe Whittall and afterword by Margaret Christakos

rob mclennan

December 5, 2022

• In Conversation
• See to see—

On Then Now: A Conversation with Daphne Marlatt

Jami Macarty and Daphne Marlatt

June 8, 2022

• See to see—

On Erín Moure’s Retooling for a Figurative Life

Holly Wethey

June 8, 2022

• Long-Form
• See to see—

On A Practice in Gestures

Jenny Penberthy

February 23, 2022

• See to see—

The Personal Morphologies Above a Squiggle: On Nic Wilson’s Learn Spelling

Jera MacPherson

December 15, 2021

• See to see—

On Pawatamihk by Audie Murray at the Nanaimo Art Gallery

Lauren Lavery

December 15, 2021

• Long-Form
• See to see—

Verse/Us: On Renée Sarojini Saklikar’s Bramah and the Beggar Boy

Judith Penner

December 13, 2021

• See to see—

On Loneliness and Connection in Helen Chau Bradley’s Personal Attention Roleplay

Alyssa Favreau

December 8, 2021

• See to see—

Close: On The Griffin Poetry Prize Anthology

Clayton Longstaff

September 28, 2021

• See to see—

Trauma, Witnessing, and Voice: On Janet Gallant and Sharon Thesen’s The Wig Maker

Renée Sarojini Saklikar

September 27, 2021

• See to see—

On John Brennan’s Rudiments for Hexadrome

April Thompson

September 1, 2021