TCR 3.35 (Spring 2018), an editorial collaboration between Fenn Stewart, Matea Kulić, and Catriona Strang, considers place and displacement in the unceded lands and waters sometimes known as Vancouver et al. Where are we? How did this here get here? And what does it demand of us? This special issue, funded in part by a City of Vancouver Special Project Grant, includes poetry by Mercedes Eng, Chelene Knight, T’uy’t’tanat-Cease Wyss, and many others; interviews with Si’yam Lee Maracle, Larry Grant, Maxine Gadd, Trudy Rubenfeld, and Rhoda Rosenfeld; a feature on the restoration of the Blue Cabin by Jeremy Borsos; multimedia work by Gabrielle L’Hirondelle Hill, Karin Lee, and Fabiola Carranza; photography by Hiromi Goto and Clint Burnham; collaborative contributions by N.O.P.E. and the Belvedere Residents; an essay by Yoko Urata on Japanese-Canadian history in Kitsilano; and reviews by Meredith Quartermain and Michael Turner.
Issue 3.35
Spring 2018: Place and Displacement
![Cover Image: Jeremy Borsos](https://thecapilanoreview.com/app/uploads/2018/05/TCR-335-cover-1.png)
Contributors
Review of Sitting Shiva on Minto Ave, by Toots by Erín Moure
Review of Some End/West Broadway by George Bowering and George Stanley
Indigenous Places and Names
Indigenous Language ResourcesCapilano Review
![hən̓q̓əmin̓əm street sign on UBC campus](https://thecapilanoreview.com/app/uploads/2018/06/935FEFA9-ABC3-42D3-83D8-2F11CAF5696C-1-1800x1350.jpeg)
Poetry
Chelene Knight / Dear Current OccupantChelene Knight
![Photo credit: Jade Melnychuk](https://thecapilanoreview.com/app/uploads/2018/06/East-12th-between-Windsor-and-Fraser-front-door-1800x1011.jpg)
Indigenous Places and Names
“We preserve the sounds in our language”: In Conversation with Larry Grant and Sarah LingFenn Stewart, Elder Larry Grant and Sarah Ling
Indigenous Places and Names
“When you move to a new country, you learn their language”: In Conversation with Si’yam Lee MaracleFenn Stewart and Lee Maracle
Art
Gabrielle L’Hirondelle Hill / Four Effigies for the End of PropertyGabrielle L'Hirondelle Hill
![Gabrielle L’Hirondelle Hill, The Highest and Best Use, from Four Effigies For the End of Property: Preempt, Improve, The Highest and Best Use, Be Long (detail), 2017, mixed media (de-accessioned artefacts from the North Vancouver Museum and Archives), 71.5 x 32 x 16 inches, courtesy the artist. Photo credit: Angie Dubé.](https://thecapilanoreview.com/app/uploads/2018/05/FourEffigies-33-1800x1200.jpg)