Issue 3.42

Fall 2020: Translingual

Issue 3.42 (Fall 2020): Translingual features poetry, compositions, and soundings by Oana Avasilichioaei, Tatum Howey, Dallas HuntKlara du PlessisAmal Rana, Sophie SeitaSho Sugita, June Tang, and Christian Vistan & Elisa Ferrari; essays by Nicole Raziya Fong and Fan Wu on reading and writing in translingual modes; a conversation between Klara du Plessis and Sophie Seita on the porosity of working adjacent to languages; and Clint Burnham’s interview with artist Mark Igloliorte on the function and form of the kayak. The art in this issue recasts learned narratives and conceptions of time, featuring work by Damla Tamer, Siku Allooloo, Chantal Gibson, and Mark Igloliorte. With reviews by Hagere Selam “shimby” Zegeye-Gebrehiwot on Manuel Axel Strain’s exhibition Needed Medicine, Jessie Loyer on Lindsay Nixon’s nîtisânak, Khashayar Mohammadi on Klara du Plessis’s Hell Light Flesh, and Matea Kulic & Leah Sharzer on Danielle LaFrance’s JUST LIKE I LIKE IT.

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Contributors

from gaps are eaten up by the reader

LANGUAGE IS NOT AN OPENING, FISSURE, "LIGHT SHINING THROUGH" ETC., IT IS A HOLE THAT I FALL INTO

In Conversation: Adjacent to (Many) Languages

Chambersonic (I)

Divination Objects

How to Read Your Book (or What Hegemony Looks Like)

name me rebel

Hello World: Protocol

Three Poems

In Conversation: The form of the kayak came from its function as a hunting boat

Felt Encryption

Twilight Zone of the Tongue: Vignettes of Translingualism

from Let it Percolate: A Manifesto for Reading

Review of Needed Medicine by Manuel Axel Strain

Review of Hell Light Flesh by Klara du Plessis

Review of JUST LIKE I LIKE IT by Danielle LaFrance

COVER: Divination Objects (detail), 2019-20, ink on paper, woven, 127 x 81 cm. Image credit: SITE Photography.

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